Riham El-Shamy, an Egyptian artist residing in Algeria, graduated from the École des arts de" M.Larbaâ"
(Algeria). She has participated in numerous art exhibitions across the Arab world and beyond, including
group shows as well as her own solo exhibitions titled Tabat we Nabat, Atabet el Setat, Memory of a
Nation, and Egyptian Songs. Her work draws inspiration from Arab—particularly Egyptian—heritage,
presenting it in a satirical form infused with the sense of humor that distinguishes the Egyptian
character. Riham believes that a painting is the most eloquent storyteller, needing no words to narrate
its tale; it takes the viewer on a journey through worlds that may be mythical or real, yet now live only in
memory.

Riham El-Shamy, an Egyptian artist residing in Algeria, graduated from the École des arts de" M.Larbaâ"
(Algeria). She has participated in numerous art exhibitions across the Arab world and beyond, including
group shows as well as her own solo exhibitions titled Tabat we Nabat, Atabet el Setat, Memory of a
Nation, and Egyptian Songs. Her work draws inspiration from Arab—particularly Egyptian—heritage,
presenting it in a satirical form infused with the sense of humor that distinguishes the Egyptian
character. Riham believes that a painting is the most eloquent storyteller, needing no words to narrate
its tale; it takes the viewer on a journey through worlds that may be mythical or real, yet now live only in
memory.

Riham El-Shamy, an Egyptian artist residing in Algeria, graduated from the École des arts de" M.Larbaâ"
(Algeria). She has participated in numerous art exhibitions across the Arab world and beyond, including
group shows as well as her own solo exhibitions titled Tabat we Nabat, Atabet el Setat, Memory of a
Nation, and Egyptian Songs. Her work draws inspiration from Arab—particularly Egyptian—heritage,
presenting it in a satirical form infused with the sense of humor that distinguishes the Egyptian
character. Riham believes that a painting is the most eloquent storyteller, needing no words to narrate
its tale; it takes the viewer on a journey through worlds that may be mythical or real, yet now live only in
memory.

Riham El-Shamy, an Egyptian artist residing in Algeria, graduated from the École des arts de" M.Larbaâ"
(Algeria). She has participated in numerous art exhibitions across the Arab world and beyond, including
group shows as well as her own solo exhibitions titled Tabat we Nabat, Atabet el Setat, Memory of a
Nation, and Egyptian Songs. Her work draws inspiration from Arab—particularly Egyptian—heritage,
presenting it in a satirical form infused with the sense of humor that distinguishes the Egyptian
character. Riham believes that a painting is the most eloquent storyteller, needing no words to narrate
its tale; it takes the viewer on a journey through worlds that may be mythical or real, yet now live only in
memory.

Riham El-Shamy, an Egyptian artist residing in Algeria, graduated from the École des arts de" M.Larbaâ"
(Algeria). She has participated in numerous art exhibitions across the Arab world and beyond, including
group shows as well as her own solo exhibitions titled Tabat we Nabat, Atabet el Setat, Memory of a
Nation, and Egyptian Songs. Her work draws inspiration from Arab—particularly Egyptian—heritage,
presenting it in a satirical form infused with the sense of humor that distinguishes the Egyptian
character. Riham believes that a painting is the most eloquent storyteller, needing no words to narrate
its tale; it takes the viewer on a journey through worlds that may be mythical or real, yet now live only in
memory.

Alaa Nagm is a contemporary visual artist who
addresses human and social issues in her works. She has
participated in international exhibitions in the United
States, China, Greece, France, Spain, and Oman, in
addition to solo and group exhibitions in Egypt.

Alaa Nagm is a contemporary visual artist who
addresses human and social issues in her works. She has
participated in international exhibitions in the United
States, China, Greece, France, Spain, and Oman, in
addition to solo and group exhibitions in Egypt.

Alaa Nagm is a contemporary visual artist who
addresses human and social issues in her works. She has
participated in international exhibitions in the United
States, China, Greece, France, Spain, and Oman, in
addition to solo and group exhibitions in Egypt.

Since the 1960s, Ekram Omar has stood as a luminous presence within the Egyptian Fine Arts movement, weaving color, memory, and fabric into a world entirely her own. Her artistry—born from childhood hours spent stitching stories into cloth—has blossomed into a pioneering textile-painting practice that feels both intimate and enchantingly imaginative.
Shaped by studies in Cairo, Paris, and Rome, Ekram Omar’s work carries the refinement of classical training yet retains the wonder of a storyteller who never outgrew her sense of play. Her years teaching children—captivated by their uninhibited curiosity and unexpected wisdom—infused her art with a spirited lightness, a touch of magic, and an abiding tenderness.
To step into her exhibition is to enter a universe where textures whisper, colors sway, and fabric becomes a living narrative. It is an invitation to see the world as she once did: through the eyes of a child, the hands of a painter-craftswoman, and the heart of a poet.

Since the 1960s, Ekram Omar has stood as a luminous presence within the Egyptian Fine Arts movement, weaving color, memory, and fabric into a world entirely her own. Her artistry—born from childhood hours spent stitching stories into cloth—has blossomed into a pioneering textile-painting practice that feels both intimate and enchantingly imaginative.
Shaped by studies in Cairo, Paris, and Rome, Ekram Omar’s work carries the refinement of classical training yet retains the wonder of a storyteller who never outgrew her sense of play. Her years teaching children—captivated by their uninhibited curiosity and unexpected wisdom—infused her art with a spirited lightness, a touch of magic, and an abiding tenderness.
To step into her exhibition is to enter a universe where textures whisper, colors sway, and fabric becomes a living narrative. It is an invitation to see the world as she once did: through the eyes of a child, the hands of a painter-craftswoman, and the heart of a poet.

Since the 1960s, Ekram Omar has stood as a luminous presence within the Egyptian Fine Arts movement, weaving color, memory, and fabric into a world entirely her own. Her artistry—born from childhood hours spent stitching stories into cloth—has blossomed into a pioneering textile-painting practice that feels both intimate and enchantingly imaginative.
Shaped by studies in Cairo, Paris, and Rome, Ekram Omar’s work carries the refinement of classical training yet retains the wonder of a storyteller who never outgrew her sense of play. Her years teaching children—captivated by their uninhibited curiosity and unexpected wisdom—infused her art with a spirited lightness, a touch of magic, and an abiding tenderness.
To step into her exhibition is to enter a universe where textures whisper, colors sway, and fabric becomes a living narrative. It is an invitation to see the world as she once did: through the eyes of a child, the hands of a painter-craftswoman, and the heart of a poet.

Since the 1960s, Ekram Omar has stood as a luminous presence within the Egyptian Fine Arts movement, weaving color, memory, and fabric into a world entirely her own. Her artistry—born from childhood hours spent stitching stories into cloth—has blossomed into a pioneering textile-painting practice that feels both intimate and enchantingly imaginative.
Shaped by studies in Cairo, Paris, and Rome, Ekram Omar’s work carries the refinement of classical training yet retains the wonder of a storyteller who never outgrew her sense of play. Her years teaching children—captivated by their uninhibited curiosity and unexpected wisdom—infused her art with a spirited lightness, a touch of magic, and an abiding tenderness.
To step into her exhibition is to enter a universe where textures whisper, colors sway, and fabric becomes a living narrative. It is an invitation to see the world as she once did: through the eyes of a child, the hands of a painter-craftswoman, and the heart of a poet.

Since the 1960s, Ekram Omar has stood as a luminous presence within the Egyptian Fine Arts movement, weaving color, memory, and fabric into a world entirely her own. Her artistry—born from childhood hours spent stitching stories into cloth—has blossomed into a pioneering textile-painting practice that feels both intimate and enchantingly imaginative.
Shaped by studies in Cairo, Paris, and Rome, Ekram Omar’s work carries the refinement of classical training yet retains the wonder of a storyteller who never outgrew her sense of play. Her years teaching children—captivated by their uninhibited curiosity and unexpected wisdom—infused her art with a spirited lightness, a touch of magic, and an abiding tenderness.
To step into her exhibition is to enter a universe where textures whisper, colors sway, and fabric becomes a living narrative. It is an invitation to see the world as she once did: through the eyes of a child, the hands of a painter-craftswoman, and the heart of a poet.

Since the 1960s, Ekram Omar has stood as a luminous presence within the Egyptian Fine Arts movement, weaving color, memory, and fabric into a world entirely her own. Her artistry—born from childhood hours spent stitching stories into cloth—has blossomed into a pioneering textile-painting practice that feels both intimate and enchantingly imaginative.
Shaped by studies in Cairo, Paris, and Rome, Ekram Omar’s work carries the refinement of classical training yet retains the wonder of a storyteller who never outgrew her sense of play. Her years teaching children—captivated by their uninhibited curiosity and unexpected wisdom—infused her art with a spirited lightness, a touch of magic, and an abiding tenderness.
To step into her exhibition is to enter a universe where textures whisper, colors sway, and fabric becomes a living narrative. It is an invitation to see the world as she once did: through the eyes of a child, the hands of a painter-craftswoman, and the heart of a poet.

Since the 1960s, Ekram Omar has stood as a luminous presence within the Egyptian Fine Arts movement, weaving color, memory, and fabric into a world entirely her own. Her artistry—born from childhood hours spent stitching stories into cloth—has blossomed into a pioneering textile-painting practice that feels both intimate and enchantingly imaginative.
Shaped by studies in Cairo, Paris, and Rome, Ekram Omar’s work carries the refinement of classical training yet retains the wonder of a storyteller who never outgrew her sense of play. Her years teaching children—captivated by their uninhibited curiosity and unexpected wisdom—infused her art with a spirited lightness, a touch of magic, and an abiding tenderness.
To step into her exhibition is to enter a universe where textures whisper, colors sway, and fabric becomes a living narrative. It is an invitation to see the world as she once did: through the eyes of a child, the hands of a painter-craftswoman, and the heart of a poet.

Since the 1960s, Ekram Omar has stood as a luminous presence within the Egyptian Fine Arts movement, weaving color, memory, and fabric into a world entirely her own. Her artistry—born from childhood hours spent stitching stories into cloth—has blossomed into a pioneering textile-painting practice that feels both intimate and enchantingly imaginative.
Shaped by studies in Cairo, Paris, and Rome, Ekram Omar’s work carries the refinement of classical training yet retains the wonder of a storyteller who never outgrew her sense of play. Her years teaching children—captivated by their uninhibited curiosity and unexpected wisdom—infused her art with a spirited lightness, a touch of magic, and an abiding tenderness.
To step into her exhibition is to enter a universe where textures whisper, colors sway, and fabric becomes a living narrative. It is an invitation to see the world as she once did: through the eyes of a child, the hands of a painter-craftswoman, and the heart of a poet.

Since the 1960s, Ekram Omar has stood as a luminous presence within the Egyptian Fine Arts movement, weaving color, memory, and fabric into a world entirely her own. Her artistry—born from childhood hours spent stitching stories into cloth—has blossomed into a pioneering textile-painting practice that feels both intimate and enchantingly imaginative.
Shaped by studies in Cairo, Paris, and Rome, Ekram Omar’s work carries the refinement of classical training yet retains the wonder of a storyteller who never outgrew her sense of play. Her years teaching children—captivated by their uninhibited curiosity and unexpected wisdom—infused her art with a spirited lightness, a touch of magic, and an abiding tenderness.
To step into her exhibition is to enter a universe where textures whisper, colors sway, and fabric becomes a living narrative. It is an invitation to see the world as she once did: through the eyes of a child, the hands of a painter-craftswoman, and the heart of a poet.

Since the 1960s, Ekram Omar has stood as a luminous presence within the Egyptian Fine Arts movement, weaving color, memory, and fabric into a world entirely her own. Her artistry—born from childhood hours spent stitching stories into cloth—has blossomed into a pioneering textile-painting practice that feels both intimate and enchantingly imaginative.
Shaped by studies in Cairo, Paris, and Rome, Ekram Omar’s work carries the refinement of classical training yet retains the wonder of a storyteller who never outgrew her sense of play. Her years teaching children—captivated by their uninhibited curiosity and unexpected wisdom—infused her art with a spirited lightness, a touch of magic, and an abiding tenderness.
To step into her exhibition is to enter a universe where textures whisper, colors sway, and fabric becomes a living narrative. It is an invitation to see the world as she once did: through the eyes of a child, the hands of a painter-craftswoman, and the heart of a poet.

Since the 1960s, Ekram Omar has stood as a luminous presence within the Egyptian Fine Arts movement, weaving color, memory, and fabric into a world entirely her own. Her artistry—born from childhood hours spent stitching stories into cloth—has blossomed into a pioneering textile-painting practice that feels both intimate and enchantingly imaginative.
Shaped by studies in Cairo, Paris, and Rome, Ekram Omar’s work carries the refinement of classical training yet retains the wonder of a storyteller who never outgrew her sense of play. Her years teaching children—captivated by their uninhibited curiosity and unexpected wisdom—infused her art with a spirited lightness, a touch of magic, and an abiding tenderness.
To step into her exhibition is to enter a universe where textures whisper, colors sway, and fabric becomes a living narrative. It is an invitation to see the world as she once did: through the eyes of a child, the hands of a painter-craftswoman, and the heart of a poet.

Since the 1960s, Ekram Omar has stood as a luminous presence within the Egyptian Fine Arts movement, weaving color, memory, and fabric into a world entirely her own. Her artistry—born from childhood hours spent stitching stories into cloth—has blossomed into a pioneering textile-painting practice that feels both intimate and enchantingly imaginative.
Shaped by studies in Cairo, Paris, and Rome, Ekram Omar’s work carries the refinement of classical training yet retains the wonder of a storyteller who never outgrew her sense of play. Her years teaching children—captivated by their uninhibited curiosity and unexpected wisdom—infused her art with a spirited lightness, a touch of magic, and an abiding tenderness.
To step into her exhibition is to enter a universe where textures whisper, colors sway, and fabric becomes a living narrative. It is an invitation to see the world as she once did: through the eyes of a child, the hands of a painter-craftswoman, and the heart of a poet.